top of page
Selections
Welcome to my portfolio selections. Here you can find a selection of my projects and learn more about what I do.
corps deserté
Can one get lost in a body as in a desert?
Can a body itself become a desert?
These questions gave birth to corps deserté — a series of photographs where the human body can be seen as a desert landscape.
Can a body itself become a desert?
These questions gave birth to corps deserté — a series of photographs where the human body can be seen as a desert landscape.
corps deserté-liquid light edition
Can one get lost in a body as in a desert?
Can a body itself become a desert?
These questions gave birth to corps deserté — a series of photographs where the human body can be seen as a desert landscape.
Each image is hand-printed in the darkroom using liquid light, and what you see here is a scanned trace of that process.
Can a body itself become a desert?
These questions gave birth to corps deserté — a series of photographs where the human body can be seen as a desert landscape.
Each image is hand-printed in the darkroom using liquid light, and what you see here is a scanned trace of that process.
mind games - the limits of the soul
Mind Games – The Limits of the Soul is an installation of sixteen digitally constructed images connected by steel wire into a fragile network. Around it, small mirrors—no larger than a phone screen—reflect fragments of the network, space, and self.
The work reflects on how digital networks and photography shape our sense of self and reality. Each piece, inspired by the Polaroid camera, has two sides: a dark, underexposed front bearing the name of a homeopathic remedy, and a back where the body and the environment merge into one image. A reversed date appears below, readable only through a mirror.
The viewer moves within this network, shifting between direct sight and reflection, between truth and distortion. The mirrors offer another way of seeing—yet never the whole. Like the digital spaces we inhabit, the installation suggests that reality is always partial, refracted, and filtered through the act of looking.
The work reflects on how digital networks and photography shape our sense of self and reality. Each piece, inspired by the Polaroid camera, has two sides: a dark, underexposed front bearing the name of a homeopathic remedy, and a back where the body and the environment merge into one image. A reversed date appears below, readable only through a mirror.
The viewer moves within this network, shifting between direct sight and reflection, between truth and distortion. The mirrors offer another way of seeing—yet never the whole. Like the digital spaces we inhabit, the installation suggests that reality is always partial, refracted, and filtered through the act of looking.
portraits
Here you can see a selection of the best portraits I have created through years.
bottom of page